Posts Tagged ‘Branding’

SAAB is re-building its brand after years of neglect.

Wednesday, July 7th, 2010

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Now that SAAB has shed the shackles of General Motors they are getting on with the business of re-building the brand.

Two weeks ago they announced (NYT’s 6/22/10) that they have hired a new head designer who has said that: “We want to return to the Saab DNA.” Just last week they announced (Media Post 6/29/10) that they were ramping up marketing investment, going back on TV and in print with a new campaign.

After years of being part of GM where the SAAB brand was neither appreciated nor nourished it appears to be getting it’s footing back. The SAAB brand has always stood for independence and a willingness to break convention.  SAAB has always had a devoted group of loyalists, some of whom played a vocal role in the brand’s most recent resurrection, PGM (Post General Motors).  Historically, SAAB has had all the foundation stones of a great automotive brand; a point-of-view, good interesting product, a genuine enthusiast group willing to proselytize, a group of loyal owners and marketing that conveyed its essential character.

As part of the GM stable of brands, SAAB’s essential character became a barrier to increased sales volumes.  “Different” didn’t mean special or unique, it became “quirky” or “weird.”  As we all know, very few people buy “quirky” or “weird.”  So SAAB product became less distinct, not necessarily bad, just less unique.  SAAB’s marketing also became more expected, more traditional.  Consumers were subjected to campaign after campaign that hung its hat on the idea that SAAB also makes jets…as if that was ever what the car company was about.

Last week this all changed.   (more…)

The “Chevy” vs. “Chevrolet” dust-up. What it means for a global brand.

Friday, June 11th, 2010

The last twenty-four hours has been full of articles, blogs, tweets, surveys, all questioning the wisdom of the folks at Chevrolet who were apparently seeking to remove “Chevy” from the brand’s lexicon (NYTs 6/10/10).  Predictably, people were shocked and the Chevrolet folks accused of varying levels of insanity, some even questioning their patriotism.

Thankfully, as the day wore on, Chevrolet made an effort to explain that it had been mis-understood (see the press release) and that the memo leaked to the New York Times had been “poorly worded.” Unfortunately for the folks at GM, this whole incident has just added fuel to the fire for those folks who want to find fault with every thing the company tries to do.  If you take the GM folks at their word, what they were trying to do really isn’t crazy.

At the heart of this dust-up is a real issue.  How to most effectively manage a global automotive brand.

Here’s a video of Alan Batey explaining that indeed “Chevy” is just fine but that “Chevrolet” is the global brand:

Put aside Mr. Batey’s understandable defensiveness and his desire to assure us that “Chevy” is OK.   (more…)

Infiniti: From “rocks and trees” to “brush-strokes,” can it become a Tier I luxury brand?

Wednesday, June 9th, 2010

Yesterday’s Automotive News had a brief piece about Infiniti marketing that struck me as interesting.  In it, they reported that “Infiniti has told its dealer advisory group that it is committing to a five-year run for the new ‘Way of Infiniti’ campaign–a long-term pledge intended to reassure retailers that the brand will have a consistent message.”

I immediately thought to myself “Good for them.”

Infiniti from the very beginning has had a difficult time establishing a brand identity and finding a way to execute it in communications. Introduced in 1989, Infiniti was Nissan’s response to the introductions of the other Japanese luxury marques, Acura and Lexus.  The original Q45 was a sporty performance alternative to the Lexus. Unfortunately, Infiniti got off to a rough start when it introduced the car and brand with the infamous “rocks and trees” campaign created by its agency Hill, Holliday, Connors, Cosmopulos.

The “rocks and trees” campaign sought to present Infiniti as the result of the unique Japanese culture and sensibility.  The campaign attempted to make its Japanese origin an asset, similar to the way that the German brands have used their ‘German-ness.’  The Infiniti ads were very different than any automotive company had ever done (they didn’t even show the car initially).   (more…)

Mercedes-Benz: will they bring back “Engineered like no other car in the world.”?

Tuesday, May 25th, 2010

For many years I have been concerned that many once great automotive brands have been allowed to fall into disrepair. Mercedes-Benz, a prime example, has been sliding ever since the early ’90s when it walked away from “Engineered like no other car in the world.” Superior engineering was deemed “unsupportable” in a market filled with able competitors like Lexus.  Then unfortunately, Mercedes-Benz went through a period where its product quality was questionable.  It seemed that the strategists were right, Mercedes-Benz could no longer hang it’s hat on its engineering creds.

That conclusion has always bothered me.  I’ve always thought that Mercedes-Benz had a its own brand of engineering, it wasn’t always “better” than anyone else’s (although often it is), but I always felt it was “different” and therefore uniquely Mercedes-Benz.  It always seemed crazy to walk away from one of the four or five true category drivers.  But in an effort to “broaden” the appeal of Mercedes-Benz, they gave themselves credit for engineering and assumed that all their customers and prospects understood the core of the brand.

After years of neglect, it seems to me that the marketers at Mercedes-Benz are returning to the brand’s authentic roots and regaining their focus on engineering. Here are two commercials that have been on-air recently:

(more…)

“Old News” that’s worth hearing again, or maybe for the first time…

Wednesday, April 21st, 2010

When I first saw this Acura commercial it got me thinking about what constitutes “old news” versus something relevant and important:

This Acura commercial is about crumple zones and their ability to absorb energy in a crash while directing it around the passengers ensconced in a safety cage.  It’s a nicely executed commercial that provides people with information that gives them confidence that Acuras are safe.

But it isn’t new and it certainly isn’t exclusive to Acura.  Many of us would say that crumple zones are “old news.”

In 1952, Mercedes-Benz received a patent for a crumple zone in an automobile.  Up until that point rigidity was regarded as the key to protecting passengers in an automobile accident.  The 1959 Mercedes-Benz W111 series included crumple zones and was actively crash tested by the company.

I can still vividly remember the first time I actually saw a crash test.  It was at the Mercedes Benz Safety Center in the Sindelfingen plant outside Stuttgart.  I was amazed at the devastation created by a thirty mile an hour off-set crash.  Right then and there I learned the value of a crumple zone.

Today, every automobile manufacturer uses crumple zones to make their cars safer.

Yet here is Acura, using their version of a crumple zone to differentiate themselves from their competitors.

If every car has crumple zones, then what’s differentiating about Acura’s? (more…)

Everything “Old” Is “New” Again by Curvin O’Rielly

Wednesday, April 14th, 2010

Curvin O’Rielly has been kind enough to allow us to publish this article on McNaughton Automotive Perspectives.  For those of you who don’t know Curvin, he is one of the most respected copywriters in the advertising business.  Among his automotive  accomplishments was the creation of the Saturn brand with his colleagues at Hal Riney and Partners.  As you will see, Curvin’s perspective on automobile advertising is both timely and timeless.

Everything “Old” Is “New” Again

By Curvin O’Rielly

In 1982, when I was a young creative director at BBDO in New York, I was asked to write an article about the automobile business for Magazine Age.

The article was well received. I even won an American Business Press award for it. The question is, has it stood the test of time?

Well, some of the details I included in the article are as dated as the wide ties we used to wear (the ones you’re saving, hoping they come back into style again), or the disco music we used to listen to (admit it; you boogeyed to disco), or the haul-ass iron we used to drive, the cars with more horsepower than their suspension systems and brakes could reasonably handle (unless they were well-engineered vehicles from Europe).

What’s still true about my article, unfortunately, is that the automobile industry is once again in deep trouble. This time, it’s poised at the abyss, owing in part to the economic tremors that came close to causing a complete meltdown. At the abyss, too, because it was smart (or so it prided itself) but then not smart enough. I mean, surely those at the wheel had to have seen all the danger signs on the road they were heading down, just as they had to have known they were racing toward a disaster of epic proportions.

That said, here are the observations I made 28 years ago, with some minor rewrites here and there.

••• (more…)

Is Mini moving out of its niche? How to avoid the automotive equivalent of a comb-over.

Wednesday, April 7th, 2010

An article in the April 2nd edition of the New York Times was headlined: “Despite Expansion, Mini Says It’s Still a Niche” and confirmed something that had occurred to me at the New York Auto Show.

In New York last week I saw the new Mini crossover, the Countryman, for the first time in person.  All the Mini design cues are present in the Countryman and I think you’d be hard pressed to say that it wasn’t part of the Mini family.  But I was struck by how “big” it seemed, it didn’t seem small and taut the way all the other models do.  Part of the difference was that the Countryman’s ground clearance is higher, so its stance is really quite different than the other Minis.

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This got me thinking, at what point does a marque go too far and begin to lose its essential character?  Has Mini gone too far with the Countryman?

I suspect this is a little like losing your hair.  Little by little your hair recedes, almost imperceptibly, you make little adjustments as you go, thinking no one will notice, until one day you end up with comb-over and people are snickering behind your back. Little by little automotive brands seem to lose their way. (more…)

Hyundai’s Assurance Program does not a brand make…now what?

Wednesday, March 24th, 2010

The big news in automotive marketing this week was that Joel Ewanick is leaving Hyundai and going to head up marketing at Nissan. Hyundai won 2009 marketer of the year under Ewanick’s leadership and the company implemented the breakthrough Hyundai Assurance Program.

The Hyundai Assurance Program was a stroke of brilliance at a time when the economy and the auto industry were in a tailspin.  It basically gave consumers a no risk way to purchase a vehicle.  If you bought a Hyundai and subsequently lost your job, you could return the car, no questions asked.  Truly brilliant and it propelled Hyundai through the recession and out the other end.  Hyundai’s 2009 sales grew 8% and its share of market was up 1.1 points.  This performance earned it elite status as one of only three automobile brands (Kia & Subaru were the others) to increase volume in 2009, while the industry overall declined 21%*.

The Hyundai Assurance Program was an unqualified success in a tough marketing climate.  But now what? (more…)

We should be embarrassed: Thoughts on the documentary “Art & Copy”

Friday, March 12th, 2010

Who should be embarrassed?  The auto industry and their communications agencies.

If you haven’t had a chance to see the documentary “Art & Copy,” you must.  Last night I saw it for the second time and enjoyed every minute.  If you have worked in the advertising business or are responsible for advertising on the client side it is well worth seeing.

It’s a chance to see some of the most talented people in the agency business talk about what makes great communications.  Hal Riney, Mary Lawrence, Jim Durfee, Lee Clow, George Lois, Jeff Goodby, Rich Silverstein, Dan Wieden and others talk about what they think represents great work and what inspires it.  They talk about great ideas: Braniff’s End of the plain plane, Apple’s 1984 and Think Different, Got Milk, Reagan’s re-election campaign, Nike’s Just Do It and VW’s Think Small among others.

At the end, these people and the work leave you inspired.  You’re reminded that at its best, advertising can change opinion, entertain, move people emotionally and to action.  Great work respects people and treats them decently.  Great work can build brands, companies and value.  Great work is really hard to create, get approved and execute, but when it all comes together, it can move mountains.

Here’s why we should be embarrassed.   (more…)

“Global” Campaigns & The Ultimate Driving Machine

Wednesday, February 24th, 2010

My last post regarding BMW’s new campaign resulted in a few conversations with colleagues that were interesting and got me thinking about the challenges associated with marketing a global automotive brand and the concept of a global campaign.

Virtually every automotive brand is global.  Not every brand is marketed in every country but I can’t think of any that are sold only in their country of origin.  That means that every manufacturer must be concerned with what their respective brands stand for in each country in which they are distributed.  Obviously, it is in the manufacturers’ interest to have their brands positioned in the same way from country to country.  Customers and prospects should recognize the brands no matter where in the world they come into contact with them.

Of course the real world is not quite this neat and tidy.  Brands have developed in different ways in different countries, so for some manufacturers it’s a challenge just to get their colleagues around the world on the same page regarding the brand’s core values.  In my experience we do pretty well when we concern ourselves with the strategic underpinnings of the brand, where things fall apart is when execution of the strategy is considered.

There seem to be two basic approaches to execution, each with its own set of plusses and minuses:

(more…)